Agnolo Bronzino
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Nov 17, 1503 -- Nov 23, 1572. Italian Mannerist painter.

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BRONZINO, Agnolo
Bia, The Illegitimate Daughter of Cosimo I de Medici
c. 1542 Oil on wood, 63 x 48 cm Galleria degli Uffizi, Florence
ID: 05395

BRONZINO, Agnolo Bia, The Illegitimate Daughter of Cosimo I de  Medici
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BRONZINO, Agnolo Bia, The Illegitimate Daughter of Cosimo I de  Medici


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BRONZINO, Agnolo

Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.  Related Paintings of BRONZINO, Agnolo :. | St Mark fg | Adoration of the Shepherds (detail) f | Portrait of Bartolomeo Panciatichi g | Bia, The Illegitimate Daughter of Cosimo I de Medici | Portrait of Andrea Doria as Neptune df |
Related Artists:
Alexander Yakovlevich GOLOVIN
an important Russian artist and stage designer who designed sets for many productions by Sergei Diaghilev,1863-1930
Semyon Fyodorovich Shchedrin
(1745-1804) was a Russian landscape painter, the uncle and mentor of Sylvester Shchedrin. He was born in St. Petersburg into the family of a life guard. In 1759, he entered the Academy of Arts in St. Petersburg, and in 1765 graduated with a gold medal and grants to study abroad. Shchedrin ventured to Paris, then to Rome. In Paris he studied the works of old and contemporary painters. Under the influence of Rousseau's idea that beauty exists not only in classic patterns of arts but also in everyday life and nature, Shchedrin worked much en plein-air, otherwise known as painting in outdoor environments. In Rome, however, he fell under the influence of classicism, the idea that art should reflect the works of antiquity and thus prolong their successes. Shchedrin returned to St. Petersburg in 1776 and became a professor of landscape painting in the Academy of Arts. He was assigned to draw views of the palaces and parks of Catherine the Great, which brought into existence such works as View of the Large Pond Island in the Tsarskoselsky Gardens (1777), View of the Large Pond in the Tsarskoselsky Gardens (1777), View of the Farmyard in the Tsarskoye Selo (1777). After 1780, Shchedrin also participated in the restoration of pictures in the Hermitage, and in 1799 he headed a new class of landscape graphics. The pinnacle of his art career came in the 1790s. The most famous of his works of the period are views of parks and palaces in Pavlovsk, Gatchina, and Petergof: The Mill and the Peel Tower at Pavlovsk (1792), View of the Gatchina Palace from the Silver Lake (1798), View of the Gatchina Palace from Long Island (1798), The Stone Bridge at Gatchina (1799-1801), View of the Kamennoostrovsky Palace through Bolshaya Nevka from the Stroganov Seashore (1803).
Eugene Giraud
1806-1888






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