Agnolo Bronzino
Agnolo Bronzino's Oil Paintings
Agnolo Bronzino Museum
Nov 17, 1503 -- Nov 23, 1572. Italian Mannerist painter.

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BRONZINO, Agnolo
Deposition of Christ ffg
1545 Oil on wood, 268 x 173 cm Mus??e des Beaux-Arts, Besançon
ID: 05421

BRONZINO, Agnolo Deposition of Christ ffg
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BRONZINO, Agnolo Deposition of Christ ffg


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BRONZINO, Agnolo

Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.  Related Paintings of BRONZINO, Agnolo :. | Portrait of a Lady with a Puppy f | Portrait of a young man | Portrait of Stefano IV Colonna | Portrait of Giovanni de Medici | Venus, Cupide and the Time (detail) fdg |
Related Artists:
Christian Schilbach
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Sebastiano Bombelli
Italian, 1635-1719, Italian painter. He was perhaps the most influential Italian portrait painter of the later 17th century. His early style was formed by his father, Valentino Bombelli, a painter in Udine, and his godfather, the Mannerist artist Girolamo Lugaro. In the early 1660s he was in Venice (Boschini; Sansovino), where he responded passionately to the brilliant colour, painterly freedom and naturalism of 16th-century Venetian artists, particularly Veronese
Pieter van Aelst
(August 14, 1502 - December 6, 1550) was a Flemish painter. He studied under Bernaert van Orley and later lived in Italy before entering the Antwerp Guild of painters in 1527. In 1533, he travelled to Constantinople for one year in a failed attempt to establish business connections for his tapestry works. Van Aelst established a studio in Brussels in 1544, where he created paintings and tapestries. His students include Gillis van Coninxloo, Willem Key, Hans Vredeman de Vries, Michiel Coxcie, and possibly Pieter Brueghel the Elder, who did eventually marry van Aelst's daughter, Mayken. His second wife, Mayken Verhulst, was an artist as well, and, according to Carel van Mander, the first teacher of her grandchildren, Pieter Brueghel the Younger and Jan Brueghel the Elder. He was also the uncle of Joachim Bueckelaer. Van Aelst's studio is also well known for its engraved works. In particular, van Aelst is noted for his 1539 translation of Sebastiano Serlio's architectural treatise, Architettura, which is credited with having played a crucial role in spreading Renaissance ideas to the Low Countries and hastening the transition from the late Gothic style prevalent in the area at the time. He was in charge of the spectacular decorations for the 1549 Royal entry into Antwerp of Philip II of Spain, "the most famous entry of the century", according to Roy Strong.






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